《威尔小镇的故事》(Happy Vill Storybook)是专门为3~8岁孩子设计,旨在促进孩子全面发展的英文启蒙绘本。
Tom was nearly asleep upon that bearskin rug in front of the blazing fire, staring at the two great brazen Andirons that stood in the fireplace. They had big, round, good-natured faces, shining like gold. Their necks were slight and graceful, but as they rounded downward toward handsome feet. They looked very much like a pair of amiable sea serpents.The logs were burning fiercely and at first Tom thought that the words he heard spoken were nothing but their crackling and hissing -- but then the "Lefthandiron" -- as Tom's uncle once called it -- winked his eye at Tom"Hullo, Sleepyhead," said the Andiron.Tom returned the wink -- too much surprised to say anything to this inanimate object suddenly coming to lifeJohn Kendrick Bangs (1862-1922) has earned comparison with Mark Twain and L. Frank Baum for his humorous fantasies, including "A Houseboat on the Styx" and these wildly adventurous "Andiron Tales" -- featuring talking andirons, bellows and fire-pokers . . . and a voyage to the crescent Moon
Francis Lynde (1856-1930) was an American author who wrote The Master of Appleby (1902), The Grafters (1904), A Fool for Love (1905), The Quickening (1906), Empire Builders (1907), The Taming of Red Butte Western (1911), The Price (1911), The Honorable Senator Sage-Brush (1913), Branded (1918), The Golden Spider (1923) and Mr. Arnold (1923). " It was a December morning, --the Missouri December of mild temperatures and saturated skies, --and the Chicago and Alton's fast train, dripping from the rush through the wet night, had steamed briskly to its terminal track in the Union Station at Kansas City. "
A Simple Story is one of those books which, for some reason or other, have failed to come down to us, as they deserved, along the current of time, but have drifted into a literary backwater where only the professional critic or the curious discoverer can find them out. "The iniquity of oblivion blindly scattereth her poppy;" and *where more blindly than in the republic of letters. If we were to inquire how it has happened that the true value of Mrs. Inchbald's achievement has passed out of general recognition, perhaps the answer to our question would be found to lie in the extreme difficulty with which the mass of readers detect and appreciate mere quality in literature. Their judgment is swayed by a hundred side-considerations which have *thing to do with art, but happen easily to impress the imagination, or to fit in with the fashion of the hour. The reputation of Mrs. Inchbald's contemporary, Fanny Burney, is a case in point. Every one has heard of Fanny Burney's *vels, and Evelina is still widely read. Yet it is impossible to doubt that, so far as quality alone is concerned, Evelina deserves to be ranked considerably below A Simple Story. But its writer was the familiar friend of the greatest spirits of her age; she was the author of one of the best of diaries; and her work was immediately and immensely popular. Thus it has happened that the name of Fanny Burney has maintained its place upon the roll of English *velists, while that of Mrs. Inchbald is forgotten.
She might call and shout, and no one aboutWould ever call back, Who's there On the wide road leading straight into the country, the wise old woman unfolds her cloak -- and releases from within its folds the Princess Rosamund. When the girl opens eyelids swollen from weeping, she sees nothing familiar. City and palace -- gone Soon she and the wise old woman arrive at a cottage . . . one that seems to have a mind of its own -- to the infinite displeasure of the spoiled young girl Master tale-spinner George MacDonald writes of the palaces and furze-covered hills of mystic old Scotland in his delightful novel of court and countryside, A Double Story.
Eugene Sue was a nineteenth-century French novelist regarded, nowadays, as of the second tier -- or lower than that. But we think that there's a brilliance here, and that there's a reason he was most famous for his imaginative and dramatic commentaries on French life. His famous "Arthur" of 1838 represented the fashionable high life, while his 1843 "Les Mysteres de Paris" ("The Mysteries of Paris") showed the life of the poor in France so well that it was partly inspiration for Victor Hugo's "Les Miserables." This same theme is exhibited in a lesser known novel, "A Cardinal Sin," an enchanting and lively tale of the powers of charity and love. This dynamic story follows the lives of two persevering young lovers growing up in the poverty of nineteenth-century France, and how the lives of those around them are affected by their intense devotion. When a tragedy occurs, and the couple finds themselves with a sudden windfall of money, the importance of loyalty as well as charity comes into play. With elegant diction and careful prose, Sue outlines a wise lesson of suspense, insight, and fast-paced plot that will delight readers and leave a general sense of well-being. In "A Cardinal Sin," Sue's mastery of words is once again shown.
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